tag:blogger.com,1999:blog-78378847381621021942024-03-13T01:34:14.409-07:003DB Review3DB Reviewhttp://www.blogger.com/profile/06522985366229599400noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-7837884738162102194.post-69950861832755873312011-02-13T23:55:00.000-08:002011-02-13T23:55:01.089-08:003DB003 Up Late. Posting. Waiting. New Music.I'm up late tonight posting an album to Bandcamp. The Black Bullet Promise. It takes painfully long to load WAV files onto the site. It's 1:40 in the morning and I'm on the third track of fifteen. This is the part of music that no one thinks about when they are downloading your album for free. Hmph. No one knows...<br />
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So...some "new" music that I've found that I think is brilliant. Amazing.<br />
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<b>Hospitality - EP </b><br />
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This is the type of band that is so perfect it's terrifying. The music really transcends mortality. I'm actually listening to it now for the 40th time in two days. It has destroyed me. It has broken me down slowly and painfully. Amber Papini's voice and songs cut past the bone to the fucking marrow. Really. It's tiny, complex, poetic, lo-fi pop that is just so terribly good that you almost feel guilty. Maybe you don't deserve this? Do you deserve this?<br />
Look...seek it out...try Bandcamp first and then find a way to send this band some money.<br />
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<b>Guards - EP</b><br />
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The Guards Ep stands beside Hospitality in brilliance. It's reverb-laced, otherworld, ghostly whispers and aching guitars. It's another piece of genius songwriting that cuts into you like a well-oiled power tool and after slicing you into pieces it mends you and feeds you a steady diet of hair-stroking and chai tea. Songs like "Don't Wake The Dead" and "The Crystal Truth" are masterful examples of songwriting...the punk rock gems that had vanished for so long...do you recall the brilliant cassettes of your youth? It's the tape that someone left in the art room that got passed around...paint splattered on it...tape crimped...<br />
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Jesus. I'm tired. This is hardly an official post. Hit publish. Go ahead.<br />
Done.Scotthttp://www.blogger.com/profile/05949211755602984498noreply@blogger.com0tag:blogger.com,1999:blog-7837884738162102194.post-6458989128388814072011-01-22T16:44:00.000-08:002011-01-22T16:46:47.976-08:003DB002 Mixtape For January 2011<div class="MsoNormal"><br />
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</div><div class="MsoNormal"><span style="font-family: 'Gill Sans Ultra Bold';">MIXTAPE<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal">The new Jack White produced song by First Aid Kit “It Hurts Me Too” has invaded my new playlist. Speaking of my new playlist, appropriately titled: “New Mix” (note to self:consider new title) which will soon find itself burned onto a cd for “in the car” consumption…now there is a poorly constructed sentence! Ok. New playlist. I will transcribe it hear for my second piece for 3DB…maybe offer an invitation to my fellow 3DB contributors to offer their mixes as well. The rules are simple. The playlist must not exceed the length of one burned cd. </div><div class="MsoNormal">These mix cd’s might allow our readers some insight into our tastes and personalities without having to gleam this information from ridiculous biographical blog entries.</div><div class="MsoNormal">If this blog happens (in a snowball’s chance in hell) to garner enough power and prestige to warrant free products for review/consumption, then I want to make it clear that 3DB is not above product placement or the occasional lapse in integrity, given the bribe is: A.) Substancial OR B.) Something we really like anyway and would gladly say nice things about. </div><div class="MsoNormal">Ok. A mix tape of music I’m listening to today:</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">“Dirty Snow At the Disco” </div><div class="MsoNormal">(A mix tape)</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">Suggested cover:</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzfIbjxprS52Y8xR_880aNrWpFp3t3uqgjqHBTwMFT9wsgUQbOxfTpVe929RLog8wZv4slXGA8jqwYZjftOdZgkvRl97biwUiiMCnMfpRNsDdiPjHlIX7DF1rQ_WgbTNoE_V44IcnZ6gU1/s1600/IMG_0322.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzfIbjxprS52Y8xR_880aNrWpFp3t3uqgjqHBTwMFT9wsgUQbOxfTpVe929RLog8wZv4slXGA8jqwYZjftOdZgkvRl97biwUiiMCnMfpRNsDdiPjHlIX7DF1rQ_WgbTNoE_V44IcnZ6gU1/s320/IMG_0322.JPG" width="240" /></a></div><br />
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</div><div class="MsoNormal">Do your own resizing on the photo. Decorate with a Sharpie marker.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">1.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>It Hurts Me Too – First Aid Kit</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">2.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Complicated Life – The Kinks</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">3.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Where Were You? – The Mekons</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">4.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Tombstone Blues – Bob Dylan</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">5.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Golden Seal – Fucked Up</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">6.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>South of France – Harlem</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">7.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>C’est Comme Ca – Les Rita Mitsouko</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">8.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Boyfriend – Best Coast</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">9.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>As Tears Go By – The Rolling Stones</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">10.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Hate Me Soon – Yellow Ostrich</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">11.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Purple Rain – Lavender Diamond</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">12.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Sixteen Tons – Tennessee Ernie Ford</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">13.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Stuck – Butterglory</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">14.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Safe as Milk – Captain Beefheart</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">15.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Step on Me – The Cardigans</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">16.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>The Things I Used to Do – Guitar Slim</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">17.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>How Many More Times – Led Zeppelin</div><div class="MsoNormal" style="margin-left: .5in; mso-list: l0 level1 lfo1; tab-stops: list .5in; text-indent: -.25in;">18.)<span style="font: normal normal normal 7pt/normal 'Times New Roman';"> </span>Fleurette Africaine – Duke Ellington</div><div class="MsoNormal"><br />
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</div><div class="MsoNormal">Ok. Every individual song in that list is worth searching out and enjoying. At the very least you should have a listen on Youtube and decide for yourself.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">Email your mixtape to <a href="mailto:3dbreview@gmail.com">3dbreview@gmail.com</a>. Is there a prize involved? Probably not…but let us think about that. Just send us the list.</div><div class="MsoNormal"><br />
</div><div class="MsoNormal">-William Scott Chaffin</div><div class="MsoNormal"><br />
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</div>Scotthttp://www.blogger.com/profile/05949211755602984498noreply@blogger.com0tag:blogger.com,1999:blog-7837884738162102194.post-57379200722803854462011-01-21T12:09:00.000-08:002011-01-22T16:52:54.234-08:003DB001 Scott's Review<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span style="font-family: 'Arial Black'; font-size: 13pt;">Yellow Ostrich</span><span style="font-family: ArialMT; font-size: 13pt;"> “The Mistress”<o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span style="font-family: ArialMT; font-size: 13pt;">(Afternoon Records)<o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><br />
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</div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span style="font-family: ArialMT; font-size: 13pt;">The Mistress is the kind of minor masterpiece created when a keen sense of melody and broken heart collide. It oozes the coldness of pain and isolation and all the warmth and pulse of surging feelings of mortality.<o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span style="font-family: ArialMT; font-size: 13pt;">It's played with a delicate touch. Even the moments of chaos are controlled and sparse... helping the listener and creator shed the emerging sadness.<o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span style="font-family: ArialMT; font-size: 13pt;">Alex Schaaf’s voice is the driving instrument, looped and manipulated into hypnotic, prayer-like drippings of artsy garage pop. It’s a beautiful voice that, in it’s deepest recesses conjures up the frail bits of mental sickness and the innocent sadness of someone running away from something. It becomes a monotonous drone played perfectly throughout the album; even if the first few listens beg something different. After the third or fourth listen one begins to accept the trickery and even embrace it. You’ve been allowed to peer into this man’s soul and experience the depth of his despair-and if, at first it all seemed silly or insubstanscial repeated listens provide an emotionally cathartic epiphany. <o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span style="font-family: ArialMT; font-size: 13pt;">It may be the swan song come early in a career for Schaaf. His two previous EP’s not holding up in comparison to this release. They’re good, but not nearly as honest as “The Mistress”<o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span style="font-family: ArialMT; font-size: 13pt;"> The Mistress is a simple treat. It's complexities revealing themselves and burning your brain in all the right places. It's for the patient and heart-broken and it takes it's time slowly "healing" them... Eventually changing what once seemed monotonous and derivative (even of itself) importantly thematic.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">It's best songs milking the strength of the vocal harmonies and using them as percussion or a hell-bent pusher of melody. It’s the first great album that I’ve heard in 2011.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">Letter Grade: 92% (A-) <o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">Best Songs: “Hate Me Soon” “Libraries” “WHALE”<o:p></o:p></span></div><div class="MsoNormal"><br />
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</div><div class="MsoNormal"><span style="font-family: 'Arial Black'; font-size: 13pt;">Harlem </span><span style="font-family: ArialMT; font-size: 13pt;"> “Hippies”<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">(Matador Records)<o:p></o:p></span></div><div class="MsoNormal"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG6HVpWZLc72qseOQzD18k91Fvah7QPHNVwouurdgF4W93cNkCdPM7awKIiun4aT3bctpn6FEvVrUkObHkR_Z4QrB7VfKwn-Zgro1uLh_vNkrGNEcGYEQKwvSqymfjzvhwICVK7b8vPrNP/s1600/harlem-hippies-aa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG6HVpWZLc72qseOQzD18k91Fvah7QPHNVwouurdgF4W93cNkCdPM7awKIiun4aT3bctpn6FEvVrUkObHkR_Z4QrB7VfKwn-Zgro1uLh_vNkrGNEcGYEQKwvSqymfjzvhwICVK7b8vPrNP/s320/harlem-hippies-aa.jpg" width="320" /></a></div><br />
</div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;"> Harlem is what would have happened if the Beach Boys had all been given the cheapest street drugs from the moment they picked up their instruments. I think it’s important to note the previous statement as complimentary. Harlem proudly plays trashy, surf-rock, garage-pop…who else is proudly playing trashy, surf-rock, garage-pop this well? The answer is no one. <o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;"> “Hippies” plays like the band that everyone wanted to start in high school. The energy in the garage of the drummer’s parents is palpable. The tension is so jumpy and hopped up on “Hippies” that the album all goes by in a blur,resulting in what feels like a very short trip. There are a few “meh” moments in “Hippies” but they are few and far between. Everything seems to be forgivable for an album and band that don’t appear to give a fuck about anything. It’s an early punk rock aesthetic that Harlem employs, or rather, just can’t shake. Crashing drums, jingle-jangle guitars, solid simple bass, and snotty vocals culminate in a solid release whose singles should be radio staples at the moment. What a relief to hear a band that doesn’t take itself so seriously, but seriously plays good music.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;"> My new year’s wish is that Harlem will play every prom, wedding reception, bar-mitzvah, and VFW hall in 2011. I think they would do it too, given the opportunity. <o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">Letter Grade: 90% (A-)<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">Best Songs: “Gay Human Bones” “Friendly Ghost” “Poolside”<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">Best Song (Not on “Hippies”) : “South of France”<o:p></o:p></span></div><div class="MsoNormal"><br />
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</div><div class="MsoNormal"><span style="font-family: 'Engravers MT'; font-size: 13pt;">Random Notes</span><span style="font-family: ArialMT; font-size: 13pt;">: Britney Spear’s new single is atrociously bad. It imagines a world where homosexual men have created robots to produce music. That comment is not meant to be disparaging to homosexual men or robots. It’s just that Britney Spears career somehow survives and it can only be because the homosexual community is extremely loyal to artists whose careers have reached their shelf life. So…I want to thank the gays for that. Thanks for Britney, Liza, Cher, and all the rest. Is this club music? I wouldn’t know because I don’t go clubbing. If you asked me to go clubbing I might sooner think you were referring to baby seals. In which case I wouldn’t be interested in that either; too cold. However, might I suggest that those who would club baby seals listen to Job For a Cowboy, and those who would go to a large space and have this trite, over-produced, infantile pop played at airplane-volume not spin this new record.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">Let Britney go back to wherever she came from and get a job at KFC running the deep fryers. So…here’s the formatted Britney review:<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: 'Arial Black'; font-size: 13pt;">Britney Spears</span><span style="font-family: ArialMT; font-size: 13pt;"> “Hold It Against Me”<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">Jive Records (A Division of Sony)<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">Letter Grade: 5% (F) The 5% credit given for the spoken word breakdown. Which, after three listens is still funny.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: 'BlairMdITC TT-Medium'; font-size: 13pt;">Random Notes</span><span style="font-family: ArialMT; font-size: 13pt;"> Pt. 2:<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: 'Baskerville Semibold'; font-size: 13pt;">Songs you should have</span><span style="font-family: ArialMT; font-size: 13pt;"> (No excuses):<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">“Where Were You?” The Mekons<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">“Little Johnny Jewel” Television<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">These need to be added to your collection immediately. They are both 70’s punk rock masterpieces which you will undoubtedly use on your next mix cd.<o:p></o:p></span></div><div class="MsoNormal"><br />
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</div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;">-William S. Chaffin<o:p></o:p></span></div><div class="MsoNormal"><br />
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</div><div class="MsoNormal"><span style="font-family: ArialMT; font-size: 13pt;"> <o:p></o:p></span></div><div class="MsoNormal"><br />
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</div>Scotthttp://www.blogger.com/profile/05949211755602984498noreply@blogger.com0